台灣文學藝術獨立聯盟

中國人是閃族(Sham,即夏族)與含族(Ham,即華族)的後裔,由三星堆古蜀文明談起。

三星堆─金沙遺址文物解謎(上)

一個你此生不能不知道的歷史----東西文化的橋樑史證

王寶星教授講述

◎ 古蜀三星堆史蹟文物是中國一級文物,其珍品能跨海到台灣展示,是千載難逢之機,可是台灣人以為那是中國歷史文物,事不關己,中國也一味的自以為那是古蜀神秘的北緯30度線古文明文物,甚或竟有一些懵懂的史學家猜想三星堆文化「可能」是外星人來建構的神秘色彩文明!

◎ 其實三星堆與金沙文明,根本是早在巴別塔事件之後,經遠古絲路(那時尚未有絲路,因後來史學上有陸路絲路的絲路與古絲路之稱及南海沿岸至海南島的海上絲路,我只好稱這由西亞美索不達米亞平原巴比倫之示拿Cina地經中東、西域入昆崙山而轉東南入古蜀成都平原約直線六千五百餘公里距離的遷遺路線稱之為「遠古絲路」),遷移入成都東北市郊三星堆早於古猶太人的古人類文明。

◎ 三星堆文明早於龍山文化、仰韶文化之黃河文明(即河洛文明),分別為由巴別塔分變語言之閃族東遷BC:2247與之前挪亞時期大洪水的古猶太人東遷BC:2348,卻前後一百年以神農、伏羲及黃帝、炎帝至堯、舜建構出中國遠古文化,而三星堆的古蜀文明卻如同周朝大篆金文與殷商甲骨卜辭的出土錯置,而被稱為史前神秘文明!其實古蜀與河洛文明皆源自古猶太人閃族的次第東遷所建構的,此一推論亦可由中國遠古史中華夏民族歷代血族姓氏系統治世表中:盤古氏屬鮮卑屬龍江民族族(諸夏),由天皇氏至地皇氏則為蒙古利亞屬河洛族(諸華),五龍氏為蒙古利亞屬河洛族(諸夏),之後得攝提氏、合雒氏、連通氏則皆又為由蒙古利亞屬河洛族(諸華),第九節之敘命氏至第十五節之黃神氏皆為蒙古利亞屬龍山族(諸夏),第十六佢神氏至第十九節弇茲氏則為東夷系龍山民族後裔(諸夏),第二十節泰逢氏起至第二十三節大敦氏則皆又為由蒙古利亞屬河洛族(諸華),如此以蒙古利亞屬河洛族、龍山裔及東夷系龍山裔華、夏交替也有鮮卑系夾雜其中(第33、35、37~41節),直到第五十節神農世及第五十一節黃帝軒轅氏止,不管幾十萬年的想像史,中國華、夏兩族都出自鮮卑與匈奴蒙古利亞屬的後裔,殆無疑議。

◎ 中國所指之鮮卑與匈奴,其翻譯字源來自古猶太遊牧民族「閃」的稱呼:

1).Sham:中國譯為夏、商及奚(即庫莫奚)或蕭(南北朝遼國之國姓)

2).Semu: 中國譯為蜀、匈奴,恐怕亦是舜之諧音。

3).Semitic: 中國譯為鮮卑,祖先名則譯為少典,即黃帝之祖先之名;而黃帝第一代祖中國指為安登(有書錯置安登為少典之妻,非也),其實就是亞當Adam。

閃是挪亞之長子,挪亞方舟除乘載動物外,挪亞有三子閃、含、雅弗即其妻子共八人上船,故中國殷商甲骨文「八口」即為公,黃帝姓公孫自不為怪。「孫」字的甲古文以「子」字綴上有衣繸子的衣服,與猶太人傳統服飾的祈禱巾圍裙穗繸子是完全遵照上帝吩咐的子裔記號。

◎ 為了使大家瞭解三星堆文明確係來自古猶太語古巴比倫文明,也是東西人類文明的共通史證,以證明三星堆文物不單只是中國一級保護文物而並是屬世界人類古文明的共同接軌橋樑,用他來作為闡述人類古文明的奧秘鑰匙,將是一個人類共同祖先與世界和平的新楔機,這是新人類考古學新興二十餘年間的重大里程碑,我將不揣簡陋與孤乏,將此次三星堆文物特展,取數件代表說明之,使大家瞭解古猶太閃族東遷史以至華夏文化(古蜀文化、龍山文化、仰韶文化、大汶口文化甚至達於有別於華夏文化的台灣台南左鎮出土之同一時期文化) 的關聯,更希望大家珍惜這次台灣循迴展之機會,務要詳細觀察,以瞭解世界史觀,勿固步自封的認為去承認中國人是古猶太希伯來人閃族或蘇美爾(Semu)人後裔,是很沒有面子的事,而寧可相信那杜撰出來近三十萬年的所謂中國遠古神話。

◎ 壹、三星堆古墓船棺(未來展出)

三星堆之船棺令中國人不解,其實全世界也只有猶太人有使用船棺的習慣,因為自挪亞以方舟安然度過大洪水後,猶太人也有預言將再有大洪水毀滅世界,他們希望在死亡後亦能避過洪水,航向故鄉或是天堂,故在中國的後裔,其墳墓多面對西方故鄉之地,因而死亡稱為魂歸「西方」或駕鶴「西歸」,因為東遷之民其故鄉在西方,也是猶太人聖經預言將來必有新的聖城錫安,必在新耶路撒冷之處,故佛教稱航向天堂為「般若船到」,又稱「慈航普度」,在今年初一月二十八日在四川德陽地區一處工地也不小心挖出一口戰國時期的船棺,

其實中國人的傳統棺木一直都是船型棺,英國2011年在蘇格蘭西部海岸也挖出一個維京人戰士船棺,其復原圖繪如下:

看來不論閃(Sham)、含(Ham)、雅弗(Japheth)與他們的父親挪亞(Noah),在經過大洪水之後,他們的子裔真是永世恐慌,對洪水懼怕如猛獸,華族與夏族(Ham及Sham之諧音)一來自海上遠古絲路(含族由東北非出蘇伊士運河峽口以蘆葦船漸次經土耳其沿岸、出印尼與陸路經中南半島、印度、馬來諸島而至菲律賓、海南島轉登廣東入中國東南沿岸至勃海口的諸華族與登台灣的印尼萊亞族成為西拉亞族Sea-Laia),另一方面閃族則由西亞之示拿(Cina、Shinar,原意為「神所賜的平原」梵文音譯成「支那」)經中東、穿越沙烏地阿拉伯、撒哈拉沙漠、阿富汗入西域而抵達中國,也有北走蘇俄、穿越西伯利亞、南轉蒙藏而至興安嶺、長白山麓,一入古蜀,一入河洛,他們為了記念先祖蘇美爾人(Semu)之地Cina(示拿),也感謝上帝的帶領,便將河洛平原稱為「神州」Cina(支那),這是猶太人追念先祖的傳統,如紐約州(New York)是為了記念英格蘭約克郡(York),紐奧爾良(New Orleans)是記念奧爾良爵士與法國奧爾良城的,也都是以祖先血緣、祖地之故。

◎ 貳、金質包木桿雕圖紋權杖(未來展出)

此一金杖未來展出,但卻是極其重要典出於聖經與中國甲骨文,具有重要代表性,金沙博物館中已將它折成直線棍杖了,原來它是帶有彎頭的拐杖型之君王「權杖」,如下兩圖:

金沙博物館金杖現況

原來金杖是有柺子頭的

猶太人相信君王的權力是來自上天所授,故君王登基加冕得先由總主教(古代稱祭司長)膏油於其頭頂,聖經亦多次提及「金杖」(以斯帖記四章/11、五章/2、八章/4)及「鐵杖」(詩篇二篇/9,啟示錄二章/27、十二章/5、十九章/15),因為「金杖」、「鐵棍」是上帝授予統治世界的權柄象徵,所以埃及法老也是執金質之權杖,如下兩圖:

埃及法老的金杖

而三星堆出土的金杖刻有橫向的箭,箭尖頭是一條魚,箭身則穿有一隻飛鳥,如下圖:

金杖上的圖騰由代表神權與時間的統治(羽箭)穿越天空(鳥)直到地極、深淵(魚)

很多人不解這圖紋的意義:其實三星堆出土文物中還有一個金質皇冠頭圍帶(金冠帶),上面也有一模一樣的圖紋,如下圖:

這必須由古猶太人的宇宙觀談起,因為以聖經記載的文學手法推論,地球猶如一大型臉盆,四周有地極(即所謂地之盡頭),除陸地以外尚有海洋及深淵(深淵亦代表黑暗與地獄),地極之周圍有天框罩護著大地,天框上則環繞著天水(大氣層),天框罩下則為空氣與雲層,日、月、星辰皆在其中,而天空正中央則有天窗與道路通往天水之上的天堂,上帝則住在天堂之上,觀察與監管著大地,參閱下圖:

猶太人認為通往天空,則可接近上帝,所以才有巴比倫的巴別塔,

傳說中巴比倫的巴別塔

而通往天空則只有擁有鳥類的翅膀,埃及人也是崇拜神鳥,神鳥往往也代表皇帝,故有鳥頭人雕像、畫像,天使必定長鳥翅膀,神獸也多有鳥翅膀:

●埃及鷹神荷魯斯的雕像 ●埃及鳥頭人畫像 ●埃及蛇王碑守護神鳥

亞述皇宮的守護神獸也有翅膀

有翅膀的天使 亞述帝國鳥人浮雕

所以鳥是代表天空、天堂通路的使者,魚則是海洋、深淵能來去自如的象徵,以箭穿鳥及魚的圖紋代表聖經中上帝的權柄乃是由宇宙穹蒼直到地極且達及深淵,所以皇冠金帶上與權杖上有此圖紋是極為正式由上天賜與權柄的象徵,這也是甲骨文“│”(許慎說文注為「上、下通」,音“滾”其實古漢語應讀為“棍”,實義就是上天權柄的棍),此上下通甲骨文分上通“↑”讀作“囟”,即頂門、天窗之義,而下通甲骨文作“↓”讀作“退” ,「退」是指「降下來」,所以甲骨文指上帝降福、禍都作“辛”,這辛字下方可無橫線,也可作一橫線、二橫線即是今體辛字,最多有三橫線,橫線在字體九宮格之天、人、地三才的人,是指神所降為人所受,“辛”字上方之一點與一橫劃“丄” 或作“二” 是指天或上帝,“丄”之甲骨文即“上”之本字,而其下的“V”字在甲骨文的本字即是天窗之“囟”,猶太人深信權柄、福、禍皆歸上帝掌管,觀諸甲骨卜辭處處皆是。

(未完,待續)

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三星堆─金沙遺址文物解謎(上) The Sanxingdui ─ Sands ruins Heritage puzzle (I)

一個你此生不能不知道的歷史---東西文化的橋樑史證 This life you have to know history --- things cultural bridge history card

王寶星教授講述 Professor Wang Baoxing describes

◎ 古蜀三星堆史蹟文物是中國一級文物,其珍品能跨海到台灣展示,是千載難逢之機,可是台灣人以為那是中國歷史文物,事不關己,中國也一味的自以為那是古蜀神秘的北緯30度線古文明文物,甚或竟有一些懵懂的史學家猜想三星堆文化「可能」是外星人來建構的神秘色彩文明! ◎ ancient Shu Sanxingdui historical sites and cultural relics are a heritage, its treasures across the sea to Taiwan show is a once-in-a-lifetime of the machine, but the Taiwanese thought it was a Chinese historical relics, and had nothing to do, and China also thinks it is the ancient Shu mysterious ancient civilizations relics of 30 degrees north latitude line, or even as much as some ignorant historians suspect that the Sanxingdui culture "may" is alien to construct a mysterious civilization!

◎ 其實三星堆與金沙文明,根本是早在巴別塔事件之後,經遠古絲路(那時尚未有絲路,因後來史學上有陸路絲路的絲路與古絲路之稱及南海沿岸至海南島的海上絲路,我只好稱這由西亞美索不達米亞平原巴比倫之示拿Cina地經中東、西域入昆崙山而轉東南入古蜀成都平原約直線六千五百餘公里距離的遷遺路線稱之為「遠古絲路」),遷移入成都東北市郊三星堆早於古猶太人的古人類文明。 ◎ In fact, the Sanxingdui and Jinsha civilization, there is as early as the Tower of Babel incident, the ancient Silk Road (then not yet the Silk Road, and later historians have known of the overland Silk Road Silk Road and ancient Silk Road and the South China Sea coast to Hainan Island, the Maritime Silk Road, I had said 65 hundred kilometers distance of approximately a straight line from West Asia Mesopotamia plain of Babylon show the Middle East, Western Kunlun Mountain take Cina ground through turn southeast into the ancient Shu Chengdu Plain the relocation of heritage routes is called "the ancient Silk Road"), migrate into the ancient human civilization Chengdu northeast outskirts of Sanxingdui as early as the ancient Jews.

◎ 三星堆文明早於龍山文化、仰韶文化之黃河文明(即河洛文明),分別為由巴別塔分變語言之閃族東遷BC:2247與之前挪亞時期大洪水的古猶太人東遷BC:2348,卻前後一百年以神農、伏羲及黃帝、炎帝至堯、舜建構出中國遠古文化,而三星堆的古蜀文明卻如同周朝大篆金文與殷商甲骨卜辭的出土錯置,而被稱為史前神秘文明! The ◎ Sanxingdui civilization as early as the Longshan Culture, Yangshao culture of the Yellow River civilization (ie Heluo Civilization), the grounds of the Tower of Babel change language of Semitic dongqian BC: the ancient Jews of the great flood of 2247 and before Noah period dongqian BC: 2348 , but a hundred years before and after Shen Nong and Fu Xi, Huangdi and Yandi, to Yao, Shun and construct the ancient Chinese culture, Sanxingdui ancient Shu civilization is misplaced as the Zhou Dynasty the Seal inscriptions and Shang oracle bone inscriptions unearthed, has been called mysterious prehistoric civilization! 其實古蜀與河洛文明皆源自古猶太人閃族的次第東遷所建構的,此一推論亦可由中國遠古史中華夏民族歷代血族姓氏系統治世表中:盤古氏屬鮮卑屬龍江民族族(諸夏),由天皇氏至地皇氏則為蒙古利亞屬河洛族(諸華),五龍氏為蒙古利亞屬河洛族(諸夏),之後得攝提氏、合雒氏、連通氏則皆又為由蒙古利亞屬河洛族(諸華),第九節之敘命氏至第十五節之黃神氏皆為蒙古利亞屬龍山族(諸夏),第十六佢神氏至第十九節弇茲氏則為東夷系龍山民族後裔(諸夏),第二十節泰逢氏起至第二十三節大敦氏則皆又為由蒙古利亞屬河洛族(諸華),如此以蒙古利亞屬河洛族、龍山裔及東夷系龍山裔華、夏交替也有鮮卑系夾雜其中(第33、35、37~41節),直到第五十節神農世及第五十一節黃帝軒轅氏止,不管幾十萬年的想像史,中國華、夏兩族都出自鮮卑與匈奴蒙古利亞屬的後裔,殆無疑議。 In fact, the ancient Shu and Heluo civilization are from of the ancient Jewish Semitic the sequence dongqian construction, such an inference or by the the Shizhong Hua Xia nation, ancient Chinese dynasties kinship surnames Statecraft table: Pangu's is Xianbei the case of Longjiang Ethnic Groups (Zhu Xia ), compared to Mongolia Elijah by the Emperor's to Huang's is a the Holo family (Zhu Hua), Wulong's Mongolian Elijah is a the Holo family (Zhu Xia), have photo after mentioning 's co-Luo's connectivity s you are also on the grounds Mongolia Elijah is Heluo family (all Chinese), section IX, the classification of life's to section 15 of yellow are God's, Mongolia, Elijah is Yongsan family (Zhu Xia), 16 the Drainage God's trap of section 19 is hereby s, compared with the Dongyi Longshan ethnic descent (Zhu Xia), the twentieth section in Thai every until section 23 of London's are also on the grounds Mongolia Elijah is Heluo family (Zhu Hua), so a Heluo family Mongolia Elijah the Longshan American and Dongyi Department of Yongsan American Chinese summer alternately Descent of the mix (33,35,37 41), until the fiftieth Shennong the world and only the fifty-first Yellow Emperor Huangdi's, regardless of the history of the imagination of hundreds of thousands of years, the two communities of China and China, summer is from the descendants the Xianbei with Hun Mongolia Elijah is, unquestionably meeting.

◎ 中國所指之鮮卑與匈奴,其翻譯字源來自古猶太遊牧民族「閃」的稱呼: ◎ China referred to the Xianbei with Hun, its translation Zi from the ancient Jewish nomads "flash" of the call:

1).Sham :中國譯為夏、商及奚(即庫莫奚)或蕭(南北朝遼國之國姓) 1) of Sham: Chinese translated as the Xia, Shang and Xi (ie Cuomo Xi) or Xiao Liao (Northern and Southern Kuohsing)

2).Semu:中國譯為蜀、匈奴,恐怕亦是舜之諧音。 2) Semu: translated Sichuan Chinese, the Huns, I am afraid also Shun homonym.

3).Semitic:中國譯為鮮卑,祖先名則譯為少典,即黃帝之祖先之名;而黃帝第一代祖中國指為安登(有書錯置安登為少典之妻,非也),其實就是亞當Adam。 3) Semitic: Chinese translated Xianbei ancestors name is translated as less code, the name of the Yellow Emperor, the ancestor; while the Yellow Emperor Zu Zhongguo refers for Andeng (A book misplaced Andeng Code less the wife is not!) In fact, Adam, Adam.

閃是挪亞之長子,挪亞方舟除乘載動物外,挪亞有三子閃、含、雅弗即其妻子共八人上船,故中國殷商甲骨文「八口」即為公,黃帝姓公孫自不為怪。 Flash is the eldest son of Noah, Noah's Ark In addition to the Carriage of animals, Noah three sub-flash with Japheth, his wife, a total of eight people on board, so the Chinese Shang Dynasty Oracle "eight" is the public, the Yellow Emperor surname Gongsun since not to blame. 「孫」字的甲古文以「子」字綴上有衣繸子的衣服,與猶太人傳統服飾的祈禱巾圍裙穗繸子是完全遵照上帝吩咐的子裔記號。 A classical, "Sun", the word "child" laden with clothes to the hem of clothes, and the traditional dress of the Jewish prayer towel apron ear hem is entirely in accordance with God commanded sub-origin mark.

◎ 為了使大家瞭解三星堆文明確係來自古猶太語古巴比倫文明,也是東西人類文明的共通史證,以證明三星堆文物不單只是中國一級保護文物而並是屬世界人類古文明的共同接軌橋樑,用他來作為闡述人類古文明的奧秘鑰匙,將是一個人類共同祖先與世界和平的新楔機,這是新人類考古學新興二十餘年間的重大里程碑,我將不揣簡陋與孤乏,將此次三星堆文物特展,取數件代表說明之,使大家瞭解古猶太閃族東遷史以至華夏文化(古蜀文化、龍山文化、仰韶文化、大汶口文化甚至達於有別於華夏文化的台灣台南左鎮出土之同一時期文化) 的關聯,更希望大家珍惜這次台灣循迴展之機會,務要詳細觀察,以瞭解世界史觀,勿固步自封的認為去承認中國人是古猶太希伯來人閃族或蘇美爾(Semu)人後裔,是很沒有面子的事,而寧可相信那杜撰出來近三十萬年的所謂中國遠古神話。 ◎ In order to enable us to know the Sanxingdui text clearly derived from the ancient Babylonian civilization of the ancient Jewish language, Sanxingdui relics of what human civilization in a total of General History, to prove not just a protection of cultural relics and ancient civilizations of the world-human co-integration bridge, using as he describes the mysteries of the ancient civilization of mankind key new wedge is a common ancestor of mankind and world peace, which is a major milestone in the emerging more than 20 years of the new human archeology, I will not surmise the rough with the solitary lack of this Sanxingdui relics special exhibitions, take several pieces of the representative of, so that we understand the ancient Jewish Semitic dongqian history as well as Chinese culture (ancient Shu culture, Longshan Culture, Yangshao culture, Dawenkou culture, or even as different from Chinese culture in Taiwan Tainan left town unearthed in the same period of culture), association, and hope that we cherish the opportunity of this back to Taiwan through the exhibition, Be careful observation to understand the world view of history that do not rest on its laurels to recognize that China is the ancient Jewish Hebrew Semitic or Sumerian (Semu) descent, the face of things, and prefer to believe that invented nearly 30 years, the so-called ancient Chinese mythology.

◎ 壹、三星堆古墓船棺(未來展出) ◎ One Sanxingdui tombs Guan (on display)

三星堆之船棺令中國人不解,其實全世界也只有猶太人有使用船棺的習慣,因為自挪亞以方舟安然度過大洪水後,猶太人也有預言將再有大洪水毀滅世界,他們希望在死亡後亦能避過洪水,航向故鄉或是天堂,故在中國的後裔,其墳墓多面對西方故鄉之地,因而死亡稱為魂歸「西方」或駕鶴「西歸」,因為東遷之民其故鄉在西方,也是猶太人聖經預言將來必有新的聖城錫安,必在新耶路撒冷之處,故佛教稱航向天堂為「般若船到」,又稱「慈航普度」,在今年初一月二十八日在四川德陽地區一處工地也不小心挖出一口戰國時期的船棺, The Sanxingdui the coffins make the Chinese understand, the world, only Jews have the habit to use coffins, because through the great flood, from Noah to Fangzhou An then, Jewish prophecy Jiangzai to the great flood to destroy the world, they hope in death able to avoid the flood, heading hometown or heaven, so in China, the descendants of their graves more than the face of the land of the Western hometown, die as the Soul "Western" or riding a crane, "never to return, because the eastward migration of China homeland in the West, the Jewish Bible prophecy the future there must be a new holy city of Zion, will be in place of the New Jerusalem, it is Buddhist, said the course paradise for the "Wisdom to ship, also known as" Chi Hong Purdue, at the beginning of this year on January 18 in Deyang, a site not accidentally dug up one of the coffins of the Warring States period,

其實中國人的傳統棺木一直都是船型棺,英國2011年在蘇格蘭西部海岸也挖出一個維京人戰士船棺,其復原圖繪如下: In fact, a traditional Chinese coffin has always been to ship the coffin, United Kingdom in 2011 dug up the coffins of a Viking warrior in the west coast of Scotland and its recovery illustrations are as follows:

看來不論閃(Sham)、含(Ham)、雅弗(Japheth)與他們的父親挪亞(Noah),在經過大洪水之後,他們的子裔真是永世恐慌,對洪水懼怕如猛獸,華族與夏族(Ham及Sham之諧音)一來自海上遠古絲路(含族由東北非出蘇伊士運河峽口以蘆葦船漸次經土耳其沿岸、出印尼與陸路經中南半島、印度、馬來諸島而至菲律賓、海南島轉登廣東入中國東南沿岸至勃海口的諸華族與登台灣的印尼萊亞族成為西拉亞族Sea-Laia),另一方面閃族則由西亞之示拿(Cina、Shinar,原意為「神所賜的平原」梵文音譯成「支那」)經中東、穿越沙烏地阿拉伯、撒哈拉沙漠、阿富汗入西域而抵達中國,也有北走蘇俄、穿越西伯利亞、南轉蒙藏而至興安嶺、長白山麓,一入古蜀,一入河洛,他們為了記念先祖蘇美爾人(Semu)之地Cina(示拿),也感謝上帝的帶領,便將河洛平原稱為「神州」Cina(支那),這是猶太人追念先祖的傳統,如紐約州(New York)是為了記念英格蘭約克郡(York),紐奧爾良(New Orleans)是記念奧爾良爵士與法國奧爾良城的,也都是以祖先血緣、祖地之故。 Seems that regardless of flash (Sham), containing (Ham,), Japhet (Japheth) and their father Noah (Noah), after the great flood, and their sub-origin was forever panic, fear, such as wild beasts, ethnic Chinese to the flood summer family (Ham and Sham homonym) from the ancient Silk Road at sea (including family reed boat, the Suez Canal Gap, gradually the Turkish coast, out of Indonesia and the land through Indochina, India, the Malay Islands to the Philippines by the East and North Africa , Hainan Island, Gordon turn Guangdong into the southeastern coast of China to the Bohai mouth of all Chinese ethnic Gordon India Ni Laiya, family Xi Laya family of Sea-Laia), on the other hand Semitic from Western Asia, the show take (Cina, Shinar meaning "God giveth plain Sanskrit transliteration" Shina ") via the Middle East through Saudi-Arabia, the Sahara, Afghanistan into Western and arrived in China, and go north to Russia, through Siberia to the south turn of the Mongolian and Tibetan Affairs and to Mountains, the Changbai foothills, into the ancient Shu, one into the Holo, they thanked God for the leadership in order to remember the land of the ancestors of the Sumerians (Semu) Cina (Shinar), put the Holo plain known as the "Divine "Cina (Shina), which is the tradition of the Jewish commemoration of ancestors, such as the New York State (New York) to commemorate England Yorkshire (York), New Orleans (New Orleans) in remembrance of Orleans Jazz and Orleans, France City, but also are therefore ancestors ancestral, ancestral land.

◎ 貳、金質包木桿雕圖紋權杖(未來展出) ◎ II Gold Pack wood carving pattern token (in the future on display)

此一金杖未來展出,但卻是極其重要典出於聖經與中國甲骨文,具有重要代表性,金沙博物館中已將它折成直線棍杖了,原來它是帶有彎頭的拐杖型之君王「權杖」,如下兩圖: A gold scepter future on display, but it is extremely important to the Code for the Bible and Oracle, an important representative Sands museums have to fold it into a straight line stick stick, it is with elbow crutches type king "token" to the following two graphs:

金沙博物館金杖現況 Current status of the golden scepter of the Jinsha Museum

原來金杖是有柺子頭的 The original gold scepter kidnapper head

猶太人相信君王的權力是來自上天所授,故君王登基加冕得先由總主教(古代稱祭司長)膏油於其頭頂,聖經亦多次提及「金杖」(以斯帖記四章/11、五章/2、八章/4)及「鐵杖」(詩篇二篇/9,啟示錄二章/27、十二章/5、十九章/15),因為「金杖」、「鐵棍」是上帝授予統治世界的權柄象徵,所以埃及法老也是執金質之權杖,如下兩圖: Jews believe that the king's power is from God grant Gu Jun Wang Dengji crowned first by Archbishop (Ancient, said the chief priests) anointing its head, the Bible also repeatedly referred to the "golden scepter" (Esther chapters / two of the 11 chapters / 2 and VIII / 4) and the "rod of iron" (Psalm / 9, Revelation, Cap / 27, Chapter 12 / Chapter 5, 19th / 15), because "the golden scepter. "iron bar" is the symbol of God to grant authority to rule the world, the Egyptian pharaoh executive gold scepter, the following two graphs:

埃及法老的金杖 The golden scepter of the Egyptian Pharaoh

而三星堆出土的金杖刻有橫向的箭,箭尖頭是一條魚,箭身則穿有一隻飛鳥,如下圖: Unearthed gold scepter engraved with horizontal arrows, the arrow tip is a fish, Yaatsume wear a bird, as shown below:

很多人不解這圖紋的意義:其實三星堆出土文物中還有一個金質皇冠頭圍帶(金冠帶),上面也有一模一樣的圖紋,如下圖: A lot of people did not understand the significance of this pattern: In fact, the Sanxingdui archaeological finds there is a gold crown of head circumference with (with Golden Delicious), above have exactly the same pattern, as shown below:

金質皇冠頭圍帶 Gold crown of head circumference with

這必須由古猶太人的宇宙觀談起,因為以聖經記載的文學手法推論,地球猶如一大型臉盆,四周有地極(即所謂地之盡頭),除陸地以外尚有海洋及深淵(深淵亦代表黑暗與地獄),地極之周圍有天框罩護著大地,天框上則環繞著天水(大氣層),天框罩下則為空氣與雲層,日、月、星辰皆在其中,而天空正中央則有天窗與道路通往天水之上的天堂,上帝則住在天堂之上,觀察與監管著大地,參閱下圖: By the cosmology of the ancient Jews, which must be talking about, because the literary techniques of the Bible suggest that the Earth is like a large basin, surrounded by the pole (the so-called end of the earth), in addition to the land other than there are marine and the abyss (the abyss also on behalf of Dark and Hell), the pole of the surrounding days box cover patrol the earth around the Tianshui (atmosphere) on the days box, day box under the hood compared to the air and clouds, day, month, and stars are in which, while the sky is central skylights and road access the Tianshui above the heaven, and God lives in heaven above, observation and supervision of the earth, see the following figure:

古猶太人的宇宙觀 The cosmology of the ancient Jewish

猶太人認為通往天空可接近上帝,所以才有巴比倫的巴別塔, Jews believe that access to the sky close to God, so only the Babylonian Tower of Babel,

傳說中巴比倫的巴別塔 The legendary Tower of Babel in Babylon

而通往天空則只有擁有鳥類的翅膀,埃及人也是崇拜神鳥,神鳥往往也代表皇帝,故有鳥頭人雕像、畫像,天使必定長鳥翅膀,神獸也多有鳥翅膀: Leading to the sky, only to have the bird's wing, the Egyptians also worship God Bird, Bird often represent the emperor, so there are the headman bird statues, angels must be long bird wings, animal more than bird wings:

●埃及鷹神荷魯斯的雕像 ●埃及鳥頭人畫像 ●埃及蛇王碑守護神鳥 ● Egyptian hawk god Horus statue ● Egyptian bird headman portrait the loafing monument of Egypt patron saint of birds

亞述皇宮的守護神獸也有翅膀 Assyrian imperial palace of the patron saint of animals have wings

有翅膀的天使 亞述帝國鳥人浮雕 Angel Assyrian Empire bird wings relief

所以鳥是代表天空、天堂通路的使者,魚則是海洋、深淵能來去自如的象徵,以箭穿鳥及魚的圖紋代表聖經中上帝的權柄乃是由宇宙穹蒼直到地極且達及深淵,所以皇冠金帶上與權杖上有此圖紋是極為正式由上天賜與權柄的象徵,這也是甲骨文“│”(許慎說文注為「上、下通」,音“滾”其實古漢語應讀為“棍”,實義就是上天權柄的棍),此上下通甲骨文分上通“↑”讀作“囟”,即頂門、天窗之義,而下通甲骨文作“↓”讀作“退”,「退」是指「降下來」,所以甲骨文指上帝降福、禍都作“辛”,這辛字下方可無橫線,也可作一橫線、二橫線即是今體辛字,最多有三橫線,橫線在字體九宮格之天、人、地三才的人,是指神所降為人所受,“辛”字上方之一點與一橫劃“丄”或作“二”是指天或上帝,“丄”之甲骨文即“上”之本字,而其下的“V”字在甲骨文的本字即是天窗之“囟”,猶太人深信權柄、福、禍皆歸上帝掌管,觀諸甲骨卜辭處處皆是。 So the birds represent the sky, pathway messenger of heaven, the fish is the ocean, the abyss of a symbol can come and go, an arrow pierces the pattern of birds and fish on behalf of the Bible, God's authority but by cosmic firmament and up to and unto the uttermost abyss , to bring the crown of gold and scepter on this pattern is very formal on a heaven-sent and a symbol of authority, which is also the Oracle "│" (Xu Shen said in note to the next one "tone" roll "In fact, ancient Chinese should be read as "stick", The True Meaning of God the authority of the stick), up and down through the Oracle points through the "↑" to read "skull", ie, top door, sunroof meaning down Oracle as "↓" to read as "retreat" back "refers to the" down ", so Oracle refers to God blessing, curse for" happiness ", this Sim word before the horizontal line, can also make a horizontal line, two horizontal line that is now Xin body words, a maximum of three horizontal lines, horizontal line the font squared of the days, people, places with God's people, refers to God reduced to people exposed, "Sim" top of the point with a cross-program "Shang" or "two" refers to days or God, "Shang" Oracle "," the words and the words of its "V" word at Oracle that is the "fontanel" of the skylight, the Jews convinced that power, blessing, curse are owned by God's command, the view of the various turtle shells and bones everywhere.

(未完,待續) (Unfinished, to be continued)

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秋白兄平安:我是前鹽分地帶文藝營工作室、台灣文學營、台灣文史營、台灣筆會兮同仁,佮央敏兄、進蓮(勁連)、明仁兄、明祥兄、良偉、良光兄、蕃薯頭宗源兄、莊律師柏林兄.....等攏是多年老朋友、咱猶捌見過面,總是我兮趣味加濟,雖罔台灣詩文創作猶一堆,總是真少發表,所以不敢以台文作家自居,真歡喜汝兮留言,以後多多指教!

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考古真是一門深奧,須要智識,想像gah方法的科學。

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覺醒主義作家楊依射的台灣文學網 的部落格文章

來自世界的呼喚(作者楊依射)──詩的意象探析

來自世界的呼喚(作者楊依射)──詩的意象探析晚夏的草原,洋溢著滿是大地的脈息,撫育著新鮮生命 的虛盈。然而更重要的是,當仲夏夜裡的滿月引力從頭 頂上劃過之時,我們無從抗拒原始規章的召喚。(以上錄自《漂流戰記》第十七章 蜜莉安的無盡漂流 )作家楊依射長篇小說《漂流戰記》,全書分上、中、下三篇,在每一篇的起始各安排了一首詩。本文以此書下篇之詩──(來自世界的呼喚)為探討,試圖從此詩的意象分析來探索本書創作的思維,透過欣賞文學的審美過程,與讀者共同創造一個「美」與「藝術」的作品。來自世界的呼喚~~作者楊依射~~竄流於洪荒的古老諺語印證著新時代的靈魂被愚蠢的熱情所緊擁的我們 亦由地底煙燻裊裊地遲疑蒸散 當激情都被烙印成為譏諷的閒語人們是否仍看得見天上的星光?【解析】此詩安排在《漂流戰記》下篇首頁,小說進行到此處,已經到了戰爭結束的時候了。本詩標題與首句,就以含蓄而不明說的語言,讓讀者保留想像空間,作者依射只點出:來自世界的呼喚/洪荒古老諺語,讓讀者掌握詩人呼之欲出的那個線索。…查看更多資訊
8 月 9
覺醒主義作家楊依射的台灣文學網 的部落格文章

矛盾而優雅的愛(作者楊依射)──詩的意象探析

矛盾而優雅的愛(作者楊依射)──詩的意象探析 作家楊依射長篇小說《漂流戰記》,全書分上、中、下三篇,在每一篇的起始各安排了一首詩。本文以此書中篇之詩── (矛盾而優雅的愛)為探討,試圖從此詩的意象分析來探索本書創作的思維,透過欣 賞文學的審美過程,與讀者共同創造一個「美」與「藝術」的作品。矛盾而優雅的愛~~作者楊依射~~ 雪白的冷月由混濁的夜空中懸然映照究竟又能拯救得了多少空寂的靈魂?以浮生錯落的美麗姿態漂流而去的眾神們看哪!從荒地而來的旅人正於黑暗之中隱然啜泣【解析】「雪白的冷月」與「混濁的夜空」兩種對比顏色,象徵著兩種力量、兩個世界的爭鬥,也就 是蜜莉安的理想世界和戰爭現實狀況對比。這個對比並不是靜止不動的,緊接著「眾神的離去」(隱 喻富有的人不再眷戀此地而離去)與「荒地而來的旅人」(隱喻從荒地逃來此地仍是荒地的逃難者)的對比,呈現出戰爭的殘酷景象,受苦受難的人們在黑暗中哭泣。當你我都喪失了哭嚎的原始本能即使白鴿的右眼也無法再度榮耀自由的樂章火紅的石榴滿腹酸澀種子 然而破裂流出的竟是悲傷寓言…查看更多資訊
7 月 3
陳秋白 已在 Facebook 分享了他們的部落格文章
7 月 3
陳秋白 的部落格文章

Tune / 旋律 (Kay Ryan / tr. by 陳秋白)

旋律 (tr. by 陳秋白)想像一片 青藍的海 漂浮百萬隻像月輕柔的水母。想像這交錯無引人注目的漂流物的旋律。這是重機具予夢的燈火發光而且產生in藍色的色調。為啥物遮呢華麗恬靜的生命一遍閣一遍消失無任何的暗示? Tune (by Kay Ryan)Imagine a sea of ultramarine suspending amillion jellyfishas soft as moons.Imagine theinterlocking uninsistenttunes of drifting things.This is the deep machinethat powers the lampsof dreams and accountsfor their bluish tint.How can somethingso grand and serenevanish again and againwithout a hint?查看更多資訊
7 月 3

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